Frames – Two Shot
Frames are in reverse chronological order. When viewing photo galleries, click on the “i” icon in the lower right corner for more info on each shot. Groups of Frames Mindhunter […]
Frames are in reverse chronological order. When viewing photo galleries, click on the “i” icon in the lower right corner for more info on each shot. Groups of Frames Mindhunter […]
Frames are in reverse chronological order. When viewing photo galleries, click on the “i” icon in the lower right corner for more info on each shot.
Groups of Frames
Mindhunter Season 2 (2019)
DP: Erik Messerschmidt
Director: David Fincher (Ep. 1-3), Andrew Dominik (Ep. 4-5), Carl Franklin (Ep. 6-9)
Camera: Red Helium 8K S35
Lenses: Leica Summilux-C
BlacKkKlansman (2018)
DP: Chayse Irvin
Director: Spike Lee
Format: 35mm
Cameras: Panaflex Millennium XL2, Arricam Lite, Aaton Penelope
Lenses: Spherical; Zeiss Super Speeds MKII, Zeiss Master Primes, Panavision Ultra and Super Speeds, Panavision PVintage
Film Stocks: Kodak Vision3 250D 5207 (used for day interiors/exteriors), Kodak Vision3 500T 5219 (for night interiors/exteriors)
One-Eyed Jacks (1961)
DP: Charles Lang
Director: Marlon Brando
Format: VistaVision
Haywire (2011)
Cinematographer: Steven Soderbergh (credited as Peter Andrews)
Director: Steven Soderbergh
Lenses (anamorphic): Hawk V-Series, V-Lite, V-Plus
Camera: Red One MX
Better Call Saul Season 1 (2015)
DP: Arthur Albert
Camera: Red Epic Dragon
Lenses: Zeiss Standard Speeds and Arri Master Primes
All Quiet on the Western Front (2022)
Cinematographer: James Friend
Director: Edward Berger
Camera: Arri Alexa 65, Arri Alexa Mini LF, Sony Venice (night exteriors), Red Weapon (VFX plates)
Lenses: Arri Prime DNA, Tribe7 Blackwing7, Arri Prime 65 S, Zeiss CP.3 (21mm)
Open Range (2003)
Director: Kevin Costner
Cinematographer: J. Michael Muro
Format: 35mm film
Fargo Season 5 (2023)
Directors: Noah Hawley (Ep. 1-2), Donald Murphy (3-4), Dana Gonzales (5-6), Sylvain White (7-8), Thomas Bezucha (9-10)
Cinematographers: Dana Gonzales (1-2), Bella Gonzales (3-4), Pete Konczal (5-6), Daryl Hartwell (7-10)
Camera: Arri Alexa Mini LF
Lenses: Canon K35 and Canon FD
Format: Digital large format
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