It’s October and therefore officially horror movie season, so I thought I’d share two DP profiles I recently wrote for American Cinematographer – one on Backrooms’ Jeremy Cox and another on Teenage Sex and Death at Camp Miasma’s Eric Yue.

You can find the Backrooms piece, in which Cox details filling the film’s 30,000 square feet of sets with 360 Titan tubes in overhead fluorescent fixtures, at the American Cinematographer website.

A group of people in a yellow-walled room with a blue square cutout in the floor, engaging in a discussion or demonstration.

The Camp Miasma piece is currently print only in October’s horror issue.

Cover of American Cinematographer magazine featuring a woman holding a candle in a dark setting, highlighting the theme of horror.

Yue gets into the film’s gory practical effects, breaks down a memorable oner set to A Long December and talks practical matte paintings.

A film crew working on a night shoot, featuring a person in a blood-stained costume, simulating an intense scene with special effects. Lighting equipment and crew members are visible in the background.
A film crew setting up equipment in a forested area, with a cinematographer operating a camera and a scenic backdrop of mountains and trees.
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