deep fried movies

Frames are in reverse chronological order. When viewing photo galleries, click on the “i” icon in the lower right corner for more info on each shot.

Frame Gallery #1

Frame Gallery #2

Groups of Frames

The Midnight Club (2022)
DPs: James Kniest, Michael Fimognari, Corey Robson, Lindsey George
Camera: Sony Venice

Mindhunter Season 2 (2019)
DP: Erik Messerschmidt
Director: David Fincher (Ep. 1-3), Andrew Dominik (Ep. 4-5), Carl Franklin (Ep. 6-9)
Camera: Red Helium 8K S35
Lenses: Leica Summilux-C

Sweet Virginia (2017)
DP: Jessica Lee Gagné
Director: Jamie M. Dagg
Camera: Arri Alexa Mini
Lenses: Panavision Primos

BlacKkKlansman (2018)
DP: Chayse Irvin
Director: Spike Lee
Format: 35mm
Cameras: Panaflex Millennium XL2, Arricam Lite, Aaton Penelope
Lenses (spherical): Zeiss Super Speeds MKII, Zeiss Master Primes, Panavision Ultra and Super Speeds, Panavision PVintage
Film Stocks: Kodak Vision3 250D 5207 (used for day interiors/exteriors), Kodak Vision3 500T 5219 (for night interiors/exteriors)

Ozark Season 3 (2020)
Cinematographers: Armando Salas, Ben Kutchins, and Manuel Billeter
Directors: Jason Bateman; Cherien Dabis; Amanda Marsalis; Ben Semanoff; Alik Sakharov
Aspect Ratio: 2.2:1
Camera: Sony Venice
Lenses: Leica R; Leica Summicron-C; Leica Noctilux-M 50mm
Format: Digital; Large format sensor