deep fried movies

Smile (2022)
DP: Charlie Sarroff
Director: Parker Finn
Camera: Arri Alexa 65
Lenses: Arri Prime DNAs
Aspect Ratio: 2:1

His House (2020)
Cinematographer: Jo Willems
Director: Remi Weekes

 The Faculty (1998)
DP: Enrique Chediak
Director: Robert Rodriguez
Format: 35mm with Spherical lenses

Sleepwalkers (1992)
Director: Mick Garris
DP: Rodney Charters
Format: 35mm film with spherical lenses

Based on Stephen King’s first original screenplay, the Sleepwalkers cat creatures warrant a footnote because of their early use of computer generated morphing technology, see in the first two frames below.

Leviathan (1989)
DP: Alex Thomson
Director: George P. Cosmatos
Production Designer: Ron Cobb
Lenses: J-D-C Scope anamorphic
Format: 35mm

The Lair of the White Worm (1988)
DP: Dick Bush
Director: Ken Russell
Format: 35mm film with spherical lenses

A Return to Salem’s Lot (1987)
Director: Larry Cohen
Cinematographer: Daniel Pearl
Format: 35mm with spherical lenses

The Dark Crystal (1982)
DP: Oswald Morris
Directors: Jim Henson, Frank Oz
Creature Design By: Brian Froud
Cameras: Panaflex
Format: 35mm
Lenses: Anamorphic

Salem’s Lot (1979)
Director: Tobe Hooper
DP: Jules Brenner

The Horror of Party Beach (1964)
Director: Del Tenney
DP: Richard Hilliard
Creature Design: Robert Verberkmoes

Nosferatu (1922)
Director: F.W. Murnau
Cinematographer: F.A. Wagner