Frames – Composing with Large Groups
Single Frames Frames are in reverse chronological order. When viewing photo galleries, click on the “i” icon in the lower right corner for more info on each shot. Frame Gallery […]
Single Frames Frames are in reverse chronological order. When viewing photo galleries, click on the “i” icon in the lower right corner for more info on each shot. Frame Gallery […]
Single Frames
Frames are in reverse chronological order. When viewing photo galleries, click on the “i” icon in the lower right corner for more info on each shot.
Groups of Frames
Mindhunter Season 2 (2019)
DP: Erik Messerschmidt
Director: David Fincher (Ep. 1-3), Andrew Dominik (Ep. 4-5), Carl Franklin (Ep. 6-9)
Camera: Red Helium 8K S35
Lenses: Leica Summilux-C
All Quiet on the Western Front (2022)
Cinematographer: James Friend
Director: Edward Berger
Camera: Arri Alexa 65, Arri Alexa Mini LF, Sony Venice (night exteriors), Red Weapon (VFX plates)
Lenses: Arri Prime DNA, Tribe7 Blackwing7, Arri Prime 65 S, Zeiss CP.3 (21mm)
Do Revenge (2022)
Cinematographer: Brian Burgoyne
Director: Jennifer Kaytin Robinson
Better Call Saul Season 1 (2015)
DP: Arthur Albert
Camera: Red Epic Dragon
Lenses: Zeiss Standard Speeds and Arri Master Primes
Gothic (1986)
DP: Mike Southon
Director: Ken Russell
Format: 35mm film with spherical lenses
Hombre (1967)
Format: 35mm
DP: James Wong Howe
Director: Martin Ritt
One-Eyed Jacks (1961)
DP: Charles Lang
Director: Marlon Brando
Format: VistaVision
The Train Robbers (1973)
DP: William H. Clothier
Director: Burt Kennedy
35mm film / anamorphic lenses
The Fastest Gun Alive (1956)
DP: George Folsey
Director: Russell Rouse
Format: 35mm film with spherical lenses
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