deep fried movies

Frames are in reverse chronological order. When viewing photo galleries, click on the “i” icon in the lower right corner for more info on each shot.

Frame Gallery #1

Frame Gallery #2

Frame Gallery #3

Frame Gallery #4

Groups of Frames

The Ballad of Buster Scruggs (2018)
DP: Bruno Delbonnel
Director: The Coen Brothers
Camera: Arri Alexa (Studio XT and Mini)
Lenses: Zeiss Master Primes

Westworld Season One (2017)
Format: 35mm
Camera: Arricam Lite and Arriflex 435
Lenses: Cooke S4

Possession (1981)
Director: Andrej Zulawski
Cinematographers: Bruno Nuytten
Format: 35mm

Night of the Living Dead (1968)
Director: George Romero
Cinematographers: George Romero
Format: 35mm
Camera: Arri 35 IIC

One-Eyed Jacks (1961)
DP: Charles Lang
Director: Marlon Brando
Format: VistaVision

The Platform (2019)
DP: Jon D. Domínguez
Director: Galder Gaztelu-Urrutia
Format: Digital capture

Candyman (1992)
DP: Anthony B. Richmond
Director: Bernard Rose
Aspect Ratio: 1.85
Lenses: Spherical
Format: 35mm

The Faculty (1998)
DP: Enrique Chediak
Director: Robert Rodriguez
Format: 35mm with spherical lenses

Better Call Saul Season 1 (2015)
DP: Arthur Albert
Camera: Red Epic Dragon
Lenses: Zeiss Standard Speeds and Arri Master Primes

His House (2020)
Cinematographer: Jo Willems
Director: Remi Weekes

The Fastest Gun Alive (1956)
DP: George Folsey
Director: Russell Rouse
Format: 35mm film with spherical lenses