deep fried movies

Frames are in reverse chronological order. When viewing photo galleries, click on the “i” icon in the lower right corner for more info on each shot.

Groups of Frames

Sweet Virginia (2017)
DP: Jessica Lee Gagné
Director: Jamie M. Dagg
Camera: Arri Alexa Mini
Lenses: Panavision Primos

The Deuce Season 1 (2017)
DP: Vanja Cernjul
Digital
Camera: Panasonic Varicam35
Lenses: Panavision PVintage

Mindhunter Season 2 (2019)
DP: Erik Messerschmidt
Director: David Fincher (Ep. 1-3), Andrew Dominik (Ep. 4-5), Carl Franklin (Ep. 6-9)
Camera: Red Helium 8K S35
Lenses: Leica Summilux-C

Ozark Season 3 (2020)
Cinematographers: Armando Salas, Ben Kutchins, and Manuel Billeter
Directors: Jason Bateman; Cherien Dabis; Amanda Marsalis; Ben Semanoff; Alik Sakharov
Aspect Ratio: 2.2:1
Camera: Sony Venice
Lenses: Leica R; Leica Summicron-C; Leica Noctilux-M 50mm
Format: Digital; Large format sensor

Coverage of a parking lot night exterior.

Salem’s Lot (1979)
Director: Tobe Hooper
DP: Jules Brenner
TV miniseries; shot on 35mm with spherical lenses

The car interiors on this Stephen King adaptation about vampires taking over a small  New England town were all down on stage in stationary vehicles.