“Filming a character who has to be seven or eight inches from the lens adds a whole bunch of complications.” New interview up for Filmmaker Magazine with Marcel the Shell […]
Year – 1958 Decade – 1950s Cinematographer – Joseph LaShelle Director – Martin Ritt Genre – Drama; Romance Keywords – Paul Newman movies Distributor – 20th Century Fox Aspect Ratio […]
“I actually still use my light meter on everything….Being part of that transition from film to digital, I still can’t let it go and totally trust the monitor.” Less than […]
New interview for my column at Filmmaker Magazine with Elvis cinematographer Mandy Walker. Shot on Alexa 65, with Panavision Spheros for the pre-Vegas portion of the film and Panavision T-Series […]
New interview up at Filmmaker Magazine with Hustle DP Zak Mulligan. The Netflix film stars Adam Sandler as a burned out Philadelphia 76ers scout who discovers a raw talent (pro […]
“I really like that sodium vapor look that is kind of fading. Everyone is moving to LEDs at this point, so this felt like a final hurrah for sodium vapor.” […]
“You’re kind of questioning, ‘Does this look too much like a shitty old ’90s music video?’ – Cinematographer Caleb Heymann on leaning into a retro horror vibe for the A […]
Year – 1973 Decade – 1970s Cinematographer – Conrad L. Hall Director – James William Guercio Aspect Ratio – 2.39 Distributor – United Artists Genre – Drama Lenses – Panavision […]
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