New interview up over at Filmmaker Magazine – Dark Crystal: Age of Resistance cinematographer Erik Wilson. The 10-episode prequel to the 1982 film was shot over 180 days using Cooke […]
Once Upon a Time In Hollywood DP Robert Richardson gets philosophical about the art of film projection, the beautiful failures of old lenses, and how we will all end up […]
My talk with Midsommar cinematographer Pawel Pogorzelski is now up on Filmmaker Magazine. The folk horror tale re-teams Pogorzelski and his Hereditary director Ari Aster. Shot on the Panavision DLX2 with […]
The latest entry in my Shutter Angles column for Filmmaker Magazine is a chat with Us cinematographer Mike Gioulakis. Shot on Arri/Zeiss Master Primes with an emphasis on practical effects, […]
Here’s my interview with Green Book director of photography Sean Porter (Green Room, 20th Century Women) from Filmmaker Magazine. This is actually my 100th interview piece for Filmmaker – all […]
My talk with A Star Is Born cinematographer Matthew Libatique is up over at Filmmaker Magazine. The film was shot on Arri Alexa Minis with Cooke/i SF Camtec Vintage Series and Kowa […]
Here’s a link to my latest piece for Filmmaker Magazine – an interview with First Man cinematographer Linus Sandgren. The Neil Armstrong biopic was shot on a mixture of Super 16mm, […]
“I’ve been a cinematographer for 20 years, so I started on film and the majority of things I’ve shot have been on film, but when I got Westworld I hadn’t shot film […]
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