Cinematographer Andrew Droz Palermo on Moon Knight
“I really like that sodium vapor look that is kind of fading. Everyone is moving to LEDs at this point, so this felt like a final hurrah for sodium vapor.” […]
Censor cinematographer Annika Summerson
Censor – a 1980s-set, color-drenched horror flick centered around a British ratings board member who sanitizes “video nasties” – hits theaters today and VOD on June 18th. I’ve got an […]
Nobody cinematographer Pawel Pogorzelski
New interview up over at Filmmaker Magazine with Nobody cinematographer Pawel Pogorzelski. Directed by Hardcore Henry stylist Ilya Naishuller, the film inverts the typical “man of violence coaxed back into […]
Oscar nominated News of the World cinematographer Dariusz Wolski
New interview up over at Filmmaker Magazine with Dariusz Wolski. After more than 30 years of shooting features – including six for Ridley Scott, four with Gore Verbinski and two […]
One Night in Miami cinematographer Tami Reiker
New interview up over at Filmmaker Magazine with One Night in Miami cinematographer Tami Reiker (High Art, The Old Guard). Shot on Arri Alexa 65’s and Arri DNA lenses. The […]
Wonder Woman 1984 cinematographer Matthew Jensen on IMAX, practical stunts, and his love of Panavision Primos
I’ve got a new interview up over at Filmmaker Magazine with Wonder Woman 1984 cinematographer Matthew Jensen. The super hero sequel was shot on a multitude of formats, including: 35mm […]
Greig Fraser on his Emmy-winning work on The Mandalorian
I’ve got a new interview up over at Filmmaker Magazine with freshly-minted Emmy winner Greig Fraser. The Mandalorian cinematographer walked me through using new StageCraft tech – a greenscreen alternative […]
I Know This Much Is True cinematographer Jody Lee Lipes on shooting 600 hours of 35mm film for the new HBO series
I Know This Much Is True is a decades-spanning, tragedy-laden emotional ravaging and then catharsis about coming to terms with the shortcomings of ourselves, our families and country, and the healing […]
