Mare of Easttown cinematographer Ben Richardson
New post from my Filmmaker Magazine column – a chat with Mare of Easttown cinematographer Ben Richardson (Beasts of the Southern Wild, The Fault in Our Stars, Wind River). Shot […]
Nobody cinematographer Pawel Pogorzelski
New interview up over at Filmmaker Magazine with Nobody cinematographer Pawel Pogorzelski. Directed by Hardcore Henry stylist Ilya Naishuller, the film inverts the typical “man of violence coaxed back into […]
Oscar nominated News of the World cinematographer Dariusz Wolski
New interview up over at Filmmaker Magazine with Dariusz Wolski. After more than 30 years of shooting features – including six for Ridley Scott, four with Gore Verbinski and two […]
One Night in Miami cinematographer Tami Reiker
New interview up over at Filmmaker Magazine with One Night in Miami cinematographer Tami Reiker (High Art, The Old Guard). Shot on Arri Alexa 65’s and Arri DNA lenses. The […]
Wonder Woman 1984 cinematographer Matthew Jensen on IMAX, practical stunts, and his love of Panavision Primos
I’ve got a new interview up over at Filmmaker Magazine with Wonder Woman 1984 cinematographer Matthew Jensen. The super hero sequel was shot on a multitude of formats, including: 35mm […]
Mank cinematographer Erik Messerschmidt
A car interior set-up from David Fincher’s Netflix film Mank, shot on stage with LED screens to provide backgrounds and interactive lighting. Here’s Mank cinematographer Erik Messerschmidt on his approach to […]
Frame By Frame – Iron Man (2008)
Year – 2008 Decade – 2000s Cinematographer – Matthew Libatique (imdb link) Director – Jon Favreau Aspect Ratio – 2.40 Distributor – Paramount; Marvel Genre – Action; Super Hero Cameras […]
Frame By Frame – Friday the 13th Part III (1982)
Year – 1982 Decade – 1980s Cinematographer – Gerald Feil Director – Steve Miner Aspect Ratio – 2.39 Distributor – Paramount Genre – Horror; Slasher; 3D Format – 35mm Categories […]
deep fried movies 