“A messy but fun way to make something very stupid but very beautiful.” Check out my interview with Everything Everywhere All at Once cinematographer Larkin Seiple over at Filmmaker Magazine. […]
“Whenever I’m concentrating on a shot, to be honest, I don’t feel anything else. I don’t feel cold. I don’t feel hot. I don’t feel the weight.” – The Matrix […]
Censor – a 1980s-set, color-drenched horror flick centered around a British ratings board member who sanitizes “video nasties” – hits theaters today and VOD on June 18th. I’ve got an […]
New post from my Filmmaker Magazine column – a chat with Mare of Easttown cinematographer Ben Richardson (Beasts of the Southern Wild, The Fault in Our Stars, Wind River). Shot […]
New interview up over at Filmmaker Magazine with Nobody cinematographer Pawel Pogorzelski. Directed by Hardcore Henry stylist Ilya Naishuller, the film inverts the typical “man of violence coaxed back into […]
New interview up over at Filmmaker Magazine with Dariusz Wolski. After more than 30 years of shooting features – including six for Ridley Scott, four with Gore Verbinski and two […]
New interview up over at Filmmaker Magazine with One Night in Miami cinematographer Tami Reiker (High Art, The Old Guard). Shot on Arri Alexa 65’s and Arri DNA lenses. The […]
I’ve got a new interview up over at Filmmaker Magazine with Wonder Woman 1984 cinematographer Matthew Jensen. The super hero sequel was shot on a multitude of formats, including: 35mm […]
