Screenwriters Bryan Woods and Scott Beck talk A Quiet Place
With A Quiet Place breaking out with a monster $50 million opening weekend at the box office, I thought I’d re-share this interview I did with the movie’s screenwriters Bryan […]
Frame by Frame: Lara Croft – Tomb Raider (2001)
Year – 2001 Decade – 2000s Cinematographer – Peter Menzies Jr. Director – Simon West Aspect Ratio – 2.39 Distributor – Paramount Genre – Action Lenses – Panavision Primo Format – 35mm; Super 35; Spherical Other Key Words – Shafts […]
Frame By Frame: The End of the F***ing World (2017)
Year – 2017 Decade – 2010s Cinematographer – Justin Brown (episodes 1-5), Ben Fordesman (episodes 5-8), Director – Jonathan Entwistle (episodes 1-5), Lucy Tcherniak (5-8) Aspect Ratio – 1.78, 1.33 (flashback scenes) Distributor […]
Cinematographer Sam Levy talks Lady Bird
Check out my interview with Lady Bird director of photography Sam Levy for Filmmaker Magazine. Tech Info Camera: Arri Alexa Mini Lenses: Panavision Ultra Speeds and Super Speeds Misc: Shot […]
Cinematographer Rachel Morrison talks Mudbound
Check out my Filmmaker Magazine interview with Rachel Morrison regarding her work on Netflix’s Mudbound. Set in post-World War II rural Mississippi, Mudbound was shot on Alexa Minis using Panavision PVintage […]
Cinematographer Dan Laustsen talks The Shape of Water
Check out my interview with The Shape of Water cinematographer Dan Laustsen (Nightwatch, Crimson Peak, John Wick: Chapter 2, The Brotherhood of the Wolf) for Filmmaker Magazine. Laustsen’s third collaboration […]
Director Johannes Roberts on 47 Meters Down
Check out my talk with 47 Meters Down director Johannes Roberts from Filmmaker Magazine. The film sneakily made over $40 million at the box office after initially being set for […]
Room 104 cinematographer Doug Emmett
Check out my interview with Room 104 cinematographer Doug Emmett for Filmmaker Magazine. Here’s a snippet of Emmett talking about the new HBO anthology series’s hotel room set:
deep fried movies 