Year – 1981 Decade – 1980s Director – Andrej Zulawski Cinematographers – Bruno Nuytten Aspect Ratio – 1.66 Genre – Horror Lenses – spherical Format – 35mm Other Key Words –Video Nasties; Close-Ups; Phone Calls; Shot/Reverse Shot The Movie […]
Year – 2017 Decade – 2010s Cinematographers – Paul Cameron (pilot); David Franco; Jeffrey Jur; Robert McLachlan; Brendan Galvin Director – multiple Aspect Ratio – 1.78 Distributor – HBO Genre – Western; Sci-Fi Camera – Arricam Lite; Arriflex 435 Lenses – Cooke S4; Canon […]
With A Quiet Place breaking out with a monster $50 million opening weekend at the box office, I thought I’d re-share this interview I did with the movie’s screenwriters Bryan […]
Year – 2001 Decade – 2000s Cinematographer – Peter Menzies Jr. Director – Simon West Aspect Ratio – 2.39 Distributor – Paramount Genre – Action Lenses – Panavision Primo Format – 35mm; Super 35; Spherical Other Key Words – Shafts […]
Year – 2017 Decade – 2010s Cinematographer – Justin Brown (episodes 1-5), Ben Fordesman (episodes 5-8), Director – Jonathan Entwistle (episodes 1-5), Lucy Tcherniak (5-8) Aspect Ratio – 1.78, 1.33 (flashback scenes) Distributor […]
Check out my interview with Lady Bird director of photography Sam Levy for Filmmaker Magazine. Tech Info Camera: Arri Alexa Mini Lenses: Panavision Ultra Speeds and Super Speeds Misc: Shot […]
Check out my Filmmaker Magazine interview with Rachel Morrison regarding her work on Netflix’s Mudbound. Set in post-World War II rural Mississippi, Mudbound was shot on Alexa Minis using Panavision PVintage […]
Check out my interview with The Shape of Water cinematographer Dan Laustsen (Nightwatch, Crimson Peak, John Wick: Chapter 2, The Brotherhood of the Wolf) for Filmmaker Magazine. Laustsen’s third collaboration […]
