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mattmulcahey

Frame By Frame 1

Frame by Frame – Sweet Virginia (2017)

Year – 2017 Decade – 2010s Cinematographer – Jessica Lee Gagné (imdb link) Director – Jamie M. Dagg Aspect Ratio – 2.39 Distributor – IFC Films Genre – Neo Noir […]

By mattmulcahey Posted on December 16, 2018

Interviews 0

A Star Is Born cinematographer Matthew Libatique

My talk with A Star Is Born cinematographer Matthew Libatique is up over at Filmmaker Magazine. The film was shot on Arri Alexa Minis with Cooke/i SF Camtec Vintage Series and Kowa […]

By mattmulcahey Posted on December 10, 2018

Behind the Shot 0

Elf (2003)

I found a few images of behind the scenes set-ups on the Blu-ray featurettes of Elf. They offer a glimpse into how cinematographer Greg Gardiner used forced perspective to create the illusion […]

By mattmulcahey Posted on December 10, 2018

Frame By Frame 3

Frame by Frame – Maniac (2018)

Year – 2018 Decade – 2010s Cinematographer – Darren Lew (imdb link) Director – Cary Joji Fukunaga (imdb link) Aspect Ratio – 2.39 Distributor – Netflix Genre – Drama, Sci-Fi […]

By mattmulcahey Posted on November 26, 2018

Frame By Frame 1

Frame by Frame: The Deuce – Season 1 (2017)

Year – 2017 Decade – 2010s Cinematographers – Vanja Cernjul, Pepe Avila del Pino (pilot) Director – various Aspect Ratio – 1.78 Distributor – HBO Genre – Drama; Period (1970s) […]

By mattmulcahey Posted on November 4, 2018

VHS 1

85 classic German VHS horror covers

I don’t remember what internet rabbit hole led me there, but a while back I ended up on a Flickr stream called Leopardtronics – and discovered a cache of high-res […]

By mattmulcahey Posted on October 29, 2018

Frame By Frame 0

Frame by Frame: Night of the Living Dead (1968)

Year – 1968 Decade – 1960s Cinematographer – George Romero Director – George Romero Aspect Ratio – 1.37 Genre – Horror, Zombie Other Keywords – 1960s horror Camera – Arri 35 IIC […]

By mattmulcahey Posted on October 24, 2018

Interviews 0

First Man cinematographer Linus Sandgren

Here’s a link to my latest piece for Filmmaker Magazine – an interview with First Man cinematographer Linus Sandgren. The Neil Armstrong biopic was shot on a mixture of Super 16mm, […]

By mattmulcahey Posted on October 22, 2018

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