In my newest interview for Filmmaker Magazine, Panavision Senior Vice President of Optical Engineering Dan Sasaki talks being a second-generation member of the Panavision family, the storied history of the […]
My talk with Midsommar cinematographer Pawel Pogorzelski is now up on Filmmaker Magazine. The folk horror tale re-teams Pogorzelski and his Hereditary director Ari Aster. Shot on the Panavision DLX2 with […]
The latest entry in my Shutter Angles column for Filmmaker Magazine is a chat with Us cinematographer Mike Gioulakis. Shot on Arri/Zeiss Master Primes with an emphasis on practical effects, […]
I missed the final chapter of M. Night Shyamalan’s Unbreakable trilogy in theaters, but as of yesterday Glass is now out on home media. Here’s a before-and-after VFX shot from […]
Year – 2019 Decade – 2010s Cinematographer – Christian Sprenger (imdb) (official site) Director – Hiro Murai Aspect Ratio – 1.33 Distributor – Amazon Genre – Musical Cameras – Arri […]
The filmmaking tandem of Kevin Kölsch and Dennis Widmyer (the team behind Starry Eyes) talk about their new version of Pet Sematary in my latest piece for Filmmaker Magazine. Here’s […]
Check out my interview with Captain Marvel colorist Doug Delaney for Filmmaker Magazine. Here’s an excerpt of Delaney talking about the abundance of deliverables required for a tentpole Marvel Cinematic […]
Chris Teague (Obvious Child, Landline) talks going back to Red for Russian Doll, futzing with split diopters, and the difficulty of balancing a personal life with a TV series […]
