Glass (2019)
I missed the final chapter of M. Night Shyamalan’s Unbreakable trilogy in theaters, but as of yesterday Glass is now out on home media. Here’s a before-and-after VFX shot from […]
Frame by Frame – Guava Island (2019)
Year – 2019 Decade – 2010s Cinematographer – Christian Sprenger (imdb) (official site) Director – Hiro Murai Aspect Ratio – 1.33 Distributor – Amazon Genre – Musical Cameras – Arri […]
“The Person You Put Up There Ain’t the Person That Comes Back”: Directors Kevin Kölsch and Dennis Widmyer on Pet Sematary
The filmmaking tandem of Kevin Kölsch and Dennis Widmyer (the team behind Starry Eyes) talk about their new version of Pet Sematary in my latest piece for Filmmaker Magazine. Here’s […]
“The Weather Doesn’t Care What Your Budget Is”: Colorist Doug Delaney on Captain Marvel
Check out my interview with Captain Marvel colorist Doug Delaney for Filmmaker Magazine. Here’s an excerpt of Delaney talking about the abundance of deliverables required for a tentpole Marvel Cinematic […]
Russian Doll cinematographer Chris Teague
Chris Teague (Obvious Child, Landline) talks going back to Red for Russian Doll, futzing with split diopters, and the difficulty of balancing a personal life with a TV series […]
Frame by Frame – BlacKkKlansman (2018)
Year – 2018 Decade – 2010s Cinematographer – Chayse Irvin (imdb link) (official site) Director – Spike Lee (imdb link) Aspect Ratio – 2.39 Distributor – Focus Features; Universal Genre […]
Frame by Frame – Three O’Clock High (1987)
Year – 1987 Decade – 1980s Cinematographer – Barry Sonnenfeld (imdb link) Director – Phil Joanou Aspect Ratio – 1.85 Distributor – Universal Genre – Comedy; Teen Lenses – Spherical Format […]
Frame by Frame – The Ballad of Buster Scruggs (2018)
Year – 2018 Decade – 2010s Cinematographer – Bruno Delbonnel (imdb link) Director – The Coen Brothers Aspect Ratio – 1.85 Distributor – Netflix Genre – Western Format – Digital […]
deep fried movies 