Five Frames with The Final Girls cinematographer Elie Smolkin
The Film: The Final Girls The Cinematographer: Elie Smolkin The Tools: Shot on the Red Epic with short Angenieux zooms and Cooke S4 lenses The Plot: On the one-year anniversary of […]
Spring cinematographer and co-director Aaron Moorhead
Spring is the rarest of horror film breeds – a genre effort that would function perfectly well shorn of all its macabre elements. It’s one of the few horror […]
Bad Turn Worse cinematographer Jeff Bierman
The quote above slips out of the mouth of teenage bookworm Sue (Mackenzie Davis) in the first post-credits scene of the new Texas-set neo noir Bad Turn Worse. It’s followed by a 1990s-era […]
Obvious Child cinematographer Chris Teague
Before lensing Obvious Child, director Gillian Robespierre and cinematographer Chris Teague looked at only a handful of films for reference. They peeked at Woody Allen’s 1970s and 1980s work and glanced at Lena […]
Short Term 12 cinematographer Brett Pawlak
The title of director Destin Cretton’s Short Term 12 refers to a temporary care facility for adolescents with nowhere else to go. For those kids – and for the staff, […]
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