Love Lies Bleeding cinematographer Ben Fordesman
“I’m not into embracing the digital look.” After setting her directorial debut Saint Maud in a fading English seaside town, London-born filmmaker Rose Glass turns her gaze toward the American […]
The Last Stop in Yuma County cinematographer Mac Fisken
In The Last Stop in Yuma County, an empty pump at an isolated desert gas station strands a collection of characters (including a pair of bank robbers and knife salesman Jim […]
Emmy-nominated Schmigadoon! cinematographer Jon Joffin
My feature highlighting Jon Joffin’s Emmy-nominated work on Schmigadoon! in the July issue of American Cinematographer is now available online as well. The piece focuses on Joffin’s recreation of the […]
Emmy-nominated Dead Ringers cinematographer Jody Lee Lipes
Dead Ringers cinematographer Jody Lee Lipes picked up an Emmy nomination today for his work on the limited series, which seems like an opportune time to share this interview I […]
I Think You Should Leave cinematographer Markus Mentzer
I’ve got a new interview up for Filmmaker Magazine with DP Markus Mentzer, who’s been behind the camera for all three seasons of Netflix’s I Think You Should Leave. Whatever […]
Scream VI cinematographer Brett Jutkiewicz
“What’s interesting about Ghostface is that once the character is in the costume, they kind of cease to be themselves and just become Ghostface. We talked a lot about that. […]
Black Panther: Wakanda Forever cinematographer Autumn Durald Arkapaw
New story for Filmmaker Magazine on Black Panther: Wakanda Forever cinematographer Autumn Durald Arkapaw, who shifted the series to anamorphic glass and large format cameras for the sequel. Check out […]
All Quiet on the Western Front cinematographer James Friend
“We spent a lot of time staring at the clouds and waiting for a bit of soft light and a bit of consistency. My gaffer would shout at me, “I’m […]
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