The Killer cinematographer Erik Messerschmidt
“The camera has a part to play in the image making process, but it’s akin to a hammer, a tennis racket or a guitar.” The Killer begins with an assassin (Michael […]
Cinematographer Larkin Seiple on Everything Everywhere All at Once
“A messy but fun way to make something very stupid but very beautiful.” Check out my interview with Everything Everywhere All at Once cinematographer Larkin Seiple over at Filmmaker Magazine. […]
Cinematographer Daniele Massaccesi on The Matrix Resurrections
“Whenever I’m concentrating on a shot, to be honest, I don’t feel anything else. I don’t feel cold. I don’t feel hot. I don’t feel the weight.” – The Matrix […]
Mare of Easttown cinematographer Ben Richardson
New post from my Filmmaker Magazine column – a chat with Mare of Easttown cinematographer Ben Richardson (Beasts of the Southern Wild, The Fault in Our Stars, Wind River). Shot […]
Russian Doll cinematographer Chris Teague
Chris Teague (Obvious Child, Landline) talks going back to Red for Russian Doll, futzing with split diopters, and the difficulty of balancing a personal life with a TV series […]
Wonder Woman cinematographer Matthew Jensen
Check out my talk with Wonder Woman cinematographer Matthew Jensen for Filmmaker Magazine. Here are a few quotes from the piece:
Gotham cinematographer Crescenzo Notarile
Check out this interview I did for Filmmaker Magazine with Emmy-nominated Gotham cinematographer Crescenzo Notarile ahead of tonight’s Season 3 premiere on Fox. Notarile talks about Gotham’s signature style, the challenges […]
Green Room cinematographer Sean Porter
From my Filmmaker Magazine column, a talk with Green Room cinematographer Sean Porter. Here’s a sample:
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