Longlegs cinematographer Andrés Arochi
“I always wanted to leave blank space in the frame because, for me, fear lives behind your back.” – Andrés Arochi New interview up over at Filmmaker Magazine with Longlegs […]
Ripley cinematographer Robert Elswit
“(Ripley director Steven Zaillian) didn’t want sunlight…he didn’t want the postcard version of Italy, the beautiful travelogue with sunlit water and beautiful colors. He didn’t want any of that. He […]
I.S.S. cinematographer Nick Remy Matthews
“We always try to come up with lots of fancy adjectives to justify our choices, but, let’s face it, anamorphic just looks more like a movie, doesn’t it?” When war […]
In a Violent Nature cinematographer Pierce Derks
“It’s never bothered me to have gear that doesn’t look slick or that looks a bit like a monster itself, as long as it gets the job done.” Abel Ferrara […]
Frame by Frame – Siege (1983)
Year – 1983 Decade – 1980s Directors – Paul Donovan and Maura O’Connell Cinematographer – Les Krizsan Genre – Action Keywords – 1980s action; Under siege movies; Canadian movies; Canuxploitation […]
Dune: Part 2 cinematographer Greig Fraser
Dune: Part Two picks up directly following the events of its predecessor, with young Paul Atreides (Timothée Chalamet) taken in by the Fremen after being marooned in the desert of Arrakis. […]
Love Lies Bleeding cinematographer Ben Fordesman
“I’m not into embracing the digital look.” After setting her directorial debut Saint Maud in a fading English seaside town, London-born filmmaker Rose Glass turns her gaze toward the American […]
Frame By Frame – Ms. 45 (1981)
Year – 1981 Decade – 1980s Director – Abel Ferrara Cinematographer – James Lemmo Genre – Horror Keywords – 1980s Horror; Vigilante Filming Locations – New York City Aspect Ratio […]
deep fried movies 