Frame By Frame – Cop Car (2015)
Year – 2015 Decade – 2010s Director – Jon Watts Cinematographer – Larkin Seiple; Matthew J. Lloyd Genre – Thriller Keywords – Neo Noir; Set in a Single Day; Made […]
Dìdi cinematographer Sam Davis
“We had this mantra that stillness is a 13-year-old boy’s worst nightmare.” In the opening scene of Dìdi, the titular 13-year-old and his friends film themselves blowing up a mailbox […]
Frame By Frame: Def-Con 4 (1985)
Year – 1985 Decade – 1980s Director – Paul Donovan Director of Photography – Lez Krizsan and Douglas Connell Genre – Sci Fi Keywords – 1980s sci-fi; Canadian movies; Canuxploitation; […]
Rebel Ridge director Jeremy Saulnier
“You cannot stop that electricity and be like, ‘Hey, you’re two inches off your mark.’ You’ve got to be able to boogie.” In Jeremy Saulnier’s breakthrough films Blue Ruin and Green Room, […]
Longlegs cinematographer Andrés Arochi
“I always wanted to leave blank space in the frame because, for me, fear lives behind your back.” – Andrés Arochi New interview up over at Filmmaker Magazine with Longlegs […]
Ripley cinematographer Robert Elswit
“(Ripley director Steven Zaillian) didn’t want sunlight…he didn’t want the postcard version of Italy, the beautiful travelogue with sunlit water and beautiful colors. He didn’t want any of that. He […]
I.S.S. cinematographer Nick Remy Matthews
“We always try to come up with lots of fancy adjectives to justify our choices, but, let’s face it, anamorphic just looks more like a movie, doesn’t it?” When war […]
In a Violent Nature cinematographer Pierce Derks
“It’s never bothered me to have gear that doesn’t look slick or that looks a bit like a monster itself, as long as it gets the job done.” Abel Ferrara […]
deep fried movies 