Frame by Frame – One-Eyed Jacks (1961)
Year – 1961 Decade – 1960s Cinematographer – Charles Lang Director – Marlon Brando Aspect Ratio – 1.85 Distributor – Paramount Genre – Western Cameras – Mitchell VistaVision Lenses – […]
Frame by Frame: Mindhunter Season 2 (2019)
Year – 2019 Decade – 2010s Cinematographer – Erik Messerschmidt (imdb link) (Instagram feed) Director – David Fincher (Ep 1-3), Andrew Dominik (Ep 4-5), Carl Franklin (Ep 6-9) Aspect Ratio […]
The Invisible Man cinematographer Stefan Duscio
With movie theaters across the globe shuttering, Universal is making three of its current theatrical releases – Emma, The Hunt, and The Invisible Man – available on demand starting today […]
Frame by Frame: The Dark Crystal (1982)
Year – 1982 Decade – 1980s Cinematographer – Oswald Morris (IMDB link) Director – Jim Henson, Frank Oz Aspect Ratio – 2.40 Distributor – Universal Genre – Fantasy Cameras – […]
Cinematographer Erik Wilson on The Dark Crystal: Age of Resistance’s 180 day shoot
New interview up over at Filmmaker Magazine – Dark Crystal: Age of Resistance cinematographer Erik Wilson. The 10-episode prequel to the 1982 film was shot over 180 days using Cooke […]
Cinematographer Robert Richardson on Once Upon a Time In Hollywood
Once Upon a Time In Hollywood DP Robert Richardson gets philosophical about the art of film projection, the beautiful failures of old lenses, and how we will all end up […]
Panavision’s Dan Sasaki talks customizing lenses for Once Upon a Time In Hollywood
In my newest interview for Filmmaker Magazine, Panavision Senior Vice President of Optical Engineering Dan Sasaki talks being a second-generation member of the Panavision family, the storied history of the […]
Cinematographer Pawel Pogorzelski on shooting horror in the glaring sun for Midsommar
My talk with Midsommar cinematographer Pawel Pogorzelski is now up on Filmmaker Magazine. The folk horror tale re-teams Pogorzelski and his Hereditary director Ari Aster. Shot on the Panavision DLX2 with […]
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