Cinematographer Sean Porter on shooting Green Book
Here’s my interview with Green Book director of photography Sean Porter (Green Room, 20th Century Women) from Filmmaker Magazine. This is actually my 100th interview piece for Filmmaker – all […]
A Star Is Born cinematographer Matthew Libatique
My talk with A Star Is Born cinematographer Matthew Libatique is up over at Filmmaker Magazine. The film was shot on Arri Alexa Minis with Cooke/i SF Camtec Vintage Series and Kowa […]
First Man cinematographer Linus Sandgren
Here’s a link to my latest piece for Filmmaker Magazine – an interview with First Man cinematographer Linus Sandgren. The Neil Armstrong biopic was shot on a mixture of Super 16mm, […]
Director Lowell Dean talks Another WolfCop
When it comes to pitching WolfCop flicks, writer/director Lowell Dean has a knack for dreaming up enticing amalgamations. He pegged the initial installment as Teen Wolf meets Bad Lieutenant. He’s […]
Cinematographer Darran Tiernan talks Westworld Season 2
“I’ve been a cinematographer for 20 years, so I started on film and the majority of things I’ve shot have been on film, but when I got Westworld I hadn’t shot film […]
Screenwriters Bryan Woods and Scott Beck talk A Quiet Place
With A Quiet Place breaking out with a monster $50 million opening weekend at the box office, I thought I’d re-share this interview I did with the movie’s screenwriters Bryan […]
Cinematographer Sam Levy talks Lady Bird
Check out my interview with Lady Bird director of photography Sam Levy for Filmmaker Magazine. Tech Info Camera: Arri Alexa Mini Lenses: Panavision Ultra Speeds and Super Speeds Misc: Shot […]
Cinematographer Rachel Morrison talks Mudbound
Check out my Filmmaker Magazine interview with Rachel Morrison regarding her work on Netflix’s Mudbound. Set in post-World War II rural Mississippi, Mudbound was shot on Alexa Minis using Panavision PVintage […]
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