Dune: Part 2 cinematographer Greig Fraser
Dune: Part Two picks up directly following the events of its predecessor, with young Paul Atreides (Timothée Chalamet) taken in by the Fremen after being marooned in the desert of Arrakis. […]
Love Lies Bleeding cinematographer Ben Fordesman
“I’m not into embracing the digital look.” After setting her directorial debut Saint Maud in a fading English seaside town, London-born filmmaker Rose Glass turns her gaze toward the American […]
The Last Stop in Yuma County cinematographer Mac Fisken
In The Last Stop in Yuma County, an empty pump at an isolated desert gas station strands a collection of characters (including a pair of bank robbers and knife salesman Jim […]
The Killer cinematographer Erik Messerschmidt
“The camera has a part to play in the image making process, but it’s akin to a hammer, a tennis racket or a guitar.” The Killer begins with an assassin (Michael […]
Emmy-nominated Schmigadoon! cinematographer Jon Joffin
My feature highlighting Jon Joffin’s Emmy-nominated work on Schmigadoon! in the July issue of American Cinematographer is now available online as well. The piece focuses on Joffin’s recreation of the […]
Emmy-nominated Dead Ringers cinematographer Jody Lee Lipes
Dead Ringers cinematographer Jody Lee Lipes picked up an Emmy nomination today for his work on the limited series, which seems like an opportune time to share this interview I […]
I Think You Should Leave cinematographer Markus Mentzer
I’ve got a new interview up for Filmmaker Magazine with DP Markus Mentzer, who’s been behind the camera for all three seasons of Netflix’s I Think You Should Leave. Whatever […]
Scream VI cinematographer Brett Jutkiewicz
“What’s interesting about Ghostface is that once the character is in the costume, they kind of cease to be themselves and just become Ghostface. We talked a lot about that. […]
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