The art of Gary Pullin
From Mondo to Arrow Video, Rue Morgue to Waxwork Records, if there’s an entity currently birthing unique original genre artwork into the world you can almost guarantee “Ghoulish” Gary Pullin […]
Nurse 3D cinematographer Boris Mojsovski
The inspiration for Nurse 3D harkens back to the golden age of exploitation movies, when carnival barkers like American International Pictures dreamed up provocative titles and lurid posters…and then penned […]
Return to Nuke ‘Em High cinematographer Justin Duval
Troma, that New York-based bastion of unabashed bad taste, has been around for nearly 40 years, but the studio remains best known for a pair of mid-1980s movies that mixed […]
Haunter cinematographer Jon Joffin
A movie set entirely inside a single suburban house might not seem as if it would present much of a challenge for a cinematographer. But Haunter is no ordinary single-location […]
Patrick cinematographer Garry Richards
During their decade-plus of making music videos together, Australian director Mark Hartley and cinematographer Garry Richards always hoped for the chance to make a feature. One that paid homage to the Gothic […]
Birth of the Living Dead director Rob Kuhns
The making of George Romero’s paradigm-shifting horror film Night of the Living Dead was an exercise in perseverance. The movie’s 30-day shooting schedule was spread out over seven months, with the majority taking […]
Short Term 12 cinematographer Brett Pawlak
The title of director Destin Cretton’s Short Term 12 refers to a temporary care facility for adolescents with nowhere else to go. For those kids – and for the staff, […]
Cinematographer Benji Bakshi talks the creature feature Big Ass Spider!
Between all the sharnados and sharktopuses (or is it sharktopi?), the schlocky CGI creature feature has become a subgenre embraced almost solely for its charming ineptitude. But Big Ass Spider! […]
deep fried movies 