New interview up over at Filmmaker Magazine with Weapons cinematographer Larkin Seiple. Unfolding in overlapping chapters, writer-director Zach Cregger’s follow-up to Barbarian follows a small town’s unraveling after 17 students from […]
“I know it’s probably not my place to say it because I’m involved with the film, but I really hope that (The Brutalist) is inspiring (and shows other filmmakers) that […]
“We had this mantra that stillness is a 13-year-old boy’s worst nightmare.” In the opening scene of Dìdi, the titular 13-year-old and his friends film themselves blowing up a mailbox […]
“You cannot stop that electricity and be like, ‘Hey, you’re two inches off your mark.’ You’ve got to be able to boogie.” In Jeremy Saulnier’s breakthrough films Blue Ruin and Green Room, […]
“I always wanted to leave blank space in the frame because, for me, fear lives behind your back.” – Andrés Arochi New interview up over at Filmmaker Magazine with Longlegs […]
“(Ripley director Steven Zaillian) didn’t want sunlight…he didn’t want the postcard version of Italy, the beautiful travelogue with sunlit water and beautiful colors. He didn’t want any of that. He […]
“We always try to come up with lots of fancy adjectives to justify our choices, but, let’s face it, anamorphic just looks more like a movie, doesn’t it?” When war […]
“It’s never bothered me to have gear that doesn’t look slick or that looks a bit like a monster itself, as long as it gets the job done.” Abel Ferrara […]
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