Frames – Three Shot
Single Frames Frames are in reverse chronological order. When viewing photo galleries, click on the “i” icon in the lower right corner for more info on each shot. Groups of […]
Frames – Vanishing Point Perspective
Frames are in reverse chronological order. When viewing photo galleries, click on the “i” icon in the lower right corner for more info on each shot.
Frames – Split Diopter
Frames are in reverse chronological order. When viewing photo galleries, click on the “i” icon in the lower right corner for more info on each shot.
Frames – Venetian blinds
Frames are in reverse chronological order. When viewing photo galleries, click on the “i” icon in the lower right corner for more info on each shot.
Frames – Cross Dissolves
Candyman (1992) DP: Anthony B. Richmond Director: Bernard Rose Aspect Ratio: 1.85 Lenses: Spherical Format: 35mm
Frames – Rack Focus
Frames are in reverse chronological order. When viewing photo galleries, click on the “i” icon in the lower right corner for more info on each shot.
Frames – Character Introduction
Three O’Clock High (1987) DP: Barry Sonnenfeld Director: Phil Joanou Format: 35mm Lenses: Spherical In Three O’Clock High, a notorious new transfer student (played by Richard Tyson) challenges a meek […]
Frames – Western Showdown
The Ballad of Buster Scruggs (2018) DP: Bruno Delbonnel Director: The Coen Brothers Camera: Arri Alexa (Studio XT and Mini) Lenses: Zeiss Master Primes Hannie Caulder (1971) DP: Edward Scaife Director: Burt Kennedy Format: 35mm film with anamorphic lenses Aspect Ratio: 2.35 Hombre (1967) Format: 35mm DP: James Wong Howe Director: Martin Ritt SPOILER ALET: Be forewarned, the following frames […]
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