Elvis cinematographer Mandy Walker
New interview for my column at Filmmaker Magazine with Elvis cinematographer Mandy Walker. Shot on Alexa 65, with Panavision Spheros for the pre-Vegas portion of the film and Panavision T-Series […]
Hustle cinematographer Zak Mulligan
New interview up at Filmmaker Magazine with Hustle DP Zak Mulligan. The Netflix film stars Adam Sandler as a burned out Philadelphia 76ers scout who discovers a raw talent (pro […]
Cinematographer Andrew Droz Palermo on Moon Knight
“I really like that sodium vapor look that is kind of fading. Everyone is moving to LEDs at this point, so this felt like a final hurrah for sodium vapor.” […]
Cinematographer Caleb Heymann on Stranger Things Season 4
“You’re kind of questioning, ‘Does this look too much like a shitty old ’90s music video?’ – Cinematographer Caleb Heymann on leaning into a retro horror vibe for the A […]
Frame By Frame – Electra Glide in Blue (1973)
Year – 1973 Decade – 1970s Cinematographer – Conrad L. Hall Director – James William Guercio Aspect Ratio – 2.39 Distributor – United Artists Genre – Drama Lenses – Panavision […]
Cinematographer Larkin Seiple on Everything Everywhere All at Once
“A messy but fun way to make something very stupid but very beautiful.” Check out my interview with Everything Everywhere All at Once cinematographer Larkin Seiple over at Filmmaker Magazine. […]
Cinematographer Daniele Massaccesi on The Matrix Resurrections
“Whenever I’m concentrating on a shot, to be honest, I don’t feel anything else. I don’t feel cold. I don’t feel hot. I don’t feel the weight.” – The Matrix […]
Censor cinematographer Annika Summerson
Censor – a 1980s-set, color-drenched horror flick centered around a British ratings board member who sanitizes “video nasties” – hits theaters today and VOD on June 18th. I’ve got an […]
deep fried movies 