I.S.S. cinematographer Nick Remy Matthews
“We always try to come up with lots of fancy adjectives to justify our choices, but, let’s face it, anamorphic just looks more like a movie, doesn’t it?” When war […]
In a Violent Nature cinematographer Pierce Derks
“It’s never bothered me to have gear that doesn’t look slick or that looks a bit like a monster itself, as long as it gets the job done.” Abel Ferrara […]
Frame by Frame – Siege (1983)
Year – 1983 Decade – 1980s Directors – Paul Donovan and Maura O’Connell Cinematographer – Les Krizsan Genre – Action Keywords – 1980s action; Under siege movies; Canadian movies; Canuxploitation […]
Dune: Part 2 cinematographer Greig Fraser
Dune: Part Two picks up directly following the events of its predecessor, with young Paul Atreides (Timothée Chalamet) taken in by the Fremen after being marooned in the desert of Arrakis. […]
Love Lies Bleeding cinematographer Ben Fordesman
“I’m not into embracing the digital look.” After setting her directorial debut Saint Maud in a fading English seaside town, London-born filmmaker Rose Glass turns her gaze toward the American […]
Frame By Frame – Ms. 45 (1981)
Year – 1981 Decade – 1980s Director – Abel Ferrara Cinematographer – James Lemmo Genre – Horror Keywords – 1980s Horror; Vigilante Filming Locations – New York City Aspect Ratio […]
The Last Stop in Yuma County cinematographer Mac Fisken
In The Last Stop in Yuma County, an empty pump at an isolated desert gas station strands a collection of characters (including a pair of bank robbers and knife salesman Jim […]
The Killer cinematographer Erik Messerschmidt
“The camera has a part to play in the image making process, but it’s akin to a hammer, a tennis racket or a guitar.” The Killer begins with an assassin (Michael […]
