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Frame By Frame 3

Frame by Frame: Mindhunter Season 2 (2019)

Year – 2019 Decade – 2010s Cinematographer – Erik Messerschmidt (imdb link) (Instagram feed) Director – David Fincher (Ep 1-3), Andrew Dominik (Ep 4-5), Carl Franklin (Ep 6-9) Aspect Ratio […]

By mattmulcahey Posted on April 6, 2020

Interviews 0

The Invisible Man cinematographer Stefan Duscio

With movie theaters across the globe shuttering, Universal is making three of its current theatrical releases – Emma, The Hunt, and The Invisible Man – available on demand starting today […]

By mattmulcahey Posted on March 20, 2020

Frame By Frame 1

Frame by Frame: The Dark Crystal (1982)

Year – 1982 Decade – 1980s Cinematographer –  Oswald Morris (IMDB link) Director – Jim Henson, Frank Oz Aspect Ratio – 2.40 Distributor – Universal Genre – Fantasy Cameras – […]

By mattmulcahey Posted on September 11, 2019

Interviews 0

Cinematographer Erik Wilson on The Dark Crystal: Age of Resistance’s 180 day shoot

New interview up over at Filmmaker Magazine – Dark Crystal: Age of Resistance cinematographer Erik Wilson. The 10-episode prequel to the 1982 film was shot over 180 days using Cooke […]

By mattmulcahey Posted on August 30, 2019

Interviews 0

Cinematographer Robert Richardson on Once Upon a Time In Hollywood

Once Upon a Time In Hollywood DP Robert Richardson gets philosophical about the art of film projection, the beautiful failures of old lenses, and how we will all end up […]

By mattmulcahey Posted on August 1, 2019

Interviews 0

Panavision’s Dan Sasaki talks customizing lenses for Once Upon a Time In Hollywood

In my newest interview for Filmmaker Magazine, Panavision Senior Vice President of Optical Engineering Dan Sasaki talks being a second-generation member of the Panavision family, the storied history of the […]

By mattmulcahey Posted on July 29, 2019

Interviews 0

Cinematographer Pawel Pogorzelski on shooting horror in the glaring sun for Midsommar

My talk with Midsommar cinematographer Pawel Pogorzelski is now up on Filmmaker Magazine. The folk horror tale re-teams Pogorzelski and his Hereditary director Ari Aster. Shot on the Panavision DLX2 with […]

By mattmulcahey Posted on July 12, 2019

Interviews 0

Cinematographer Mike Gioulakis on shooting the doppelgängers of Us

The latest entry in my Shutter Angles column for Filmmaker Magazine is a chat with Us cinematographer Mike Gioulakis. Shot on Arri/Zeiss Master Primes with an emphasis on practical effects, […]

By mattmulcahey Posted on June 24, 2019

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