New interview up over at Filmmaker Magazine with Nobody cinematographer Pawel Pogorzelski. Directed by Hardcore Henry stylist Ilya Naishuller, the film inverts the typical “man of violence coaxed back into […]
New interview up over at Filmmaker Magazine with Dariusz Wolski. After more than 30 years of shooting features – including six for Ridley Scott, four with Gore Verbinski and two […]
New interview up over at Filmmaker Magazine with One Night in Miami cinematographer Tami Reiker (High Art, The Old Guard). Shot on Arri Alexa 65’s and Arri DNA lenses. The […]
I’ve got a new interview up over at Filmmaker Magazine with Wonder Woman 1984 cinematographer Matthew Jensen. The super hero sequel was shot on a multitude of formats, including: 35mm […]
A car interior set-up from David Fincher’s Netflix film Mank, shot on stage with LED screens to provide backgrounds and interactive lighting. Here’s Mank cinematographer Erik Messerschmidt on his approach to […]
Year – 2008 Decade – 2000s Cinematographer – Matthew Libatique (imdb link) Director – Jon Favreau Aspect Ratio – 2.40 Distributor – Paramount; Marvel Genre – Action; Super Hero Cameras […]
Year – 1982 Decade – 1980s Cinematographer – Gerald Feil Director – Steve Miner Aspect Ratio – 2.39 Distributor – Paramount Genre – Horror; Slasher; 3D Format – 35mm Categories […]
Year – 2020 Decade – 2020s Cinematographer – Lol Crawley Director – Antonio Campos Studio – Netflix Aspect Ratio – 2.40 Genre – Drama; Period (1960s) Camera – Arricam LT […]
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