Year – 1987
Decade – 1980s
Director – John Flynn
Cinematographer – Fred Murphy
Genre – Action
Keywords – 1980s action
Studio – Orion; Hemdale Films
Aspect Ratio – 1.85
Format – 35mm with spherical lenses

The Movie
A cop turned true crime novelist (Brian Dennehy) suffering from writer’s block reluctantly agrees to pen a hit man’s memoir. Based on a script by Larry Cohen – a master of the high concept genre film who ventures into Michael Mann thin-line-between-cop-and-crook territory here. It’s a rare chance to see Dennehy in a lead role and a not-so-rare chance to see James Woods play an intense psychopath as the assassin. Not quite on par with director John Flynn’s best work in the 1970s – namely The Outfit and Rolling Thunder – but Flynn is always good for a taut set piece, with Best Seller‘s highlight coming in the opening scene as robbers adorned in Nixon masks knock over a Los Angeles police evidence depository.

Here’s Flynn on the film, from Harvey F. Chartrand’s interview with the director in the Fall 2005 issue of Shock Cinema:

“I rewrote the script. The Writers Guild adjudicated against me and I received no credit, as they decided I hadn’t written at least 51% of the script. Once Larry Cohen and I overcame that conflict, we became good friends and he sent me other scripts over the years.

The original story was called Hard Cover. We changed the title to Best Seller in post-production, as Hard Cover didn’t test well with preview audiences. Then a woman sued us all – me, Larry Cohen, James Woods and producer Carter DeHaven. This woman claimed we had stolen the plot of a book she wrote called Best Seller. We went on to prove that this could not be the case, because Larry Cohen had submitted a treatment to Columbia prior to the copyright of (her) book. It’s amazing, though, because there were plot similarities. Her book was about a killer who writes a best seller incriminating the people who hired him. Turns out this lady didn’t want money. She asked for a three-picture deal with Hemdale Films. (laughs)”

And here’s Cohen, from Michael Doyle’s 2016 book Larry Cohen: The Stuff of Gods and Monsters:

“I thought it was partially successful as a movie. Best Seller took about seven or eight years to finally get made. The project kept moving from one company to another without getting produced, which was very frustrating as I thought it was a good script. Then, Orion Pictures eventually bought it and made the film. Best Seller was an idea I had about a police detective, who writes a book that becomes hugely successful. Unfortunately, he is afflicted with writer’s block and can’t follow up his initial success with another book. He is desperate to find something to write about and satisfy his publishers when he is approached by a professional killer who wants his life-story as a paid assassin to be written. The cop and the hitman then form an uneasy alliance, and in that regard, I thought Best Seller shared certain similarities with Hitchcock’s Strangers on a Train. In both of those movies you have two men who come to some kind of dangerous arrangement. I initially thought that Best Seller would make a terrific project for Burt Lancaster and Kirk Douglas, that’s who I really had in mind when I first wrote it. Despite that, we ended up with a good cast anyway. Brian Dennehy played the cop and James Woods played the hitman, and I thought they were both good. I certainly had no complaints about those guys. The picture itself turned out to be pretty good with one glaring exception: the ending. Everything was going along great but then, in the last five minutes, they fucked up the whole movie. That is what I mean when I say it was only partially successful.”

Frame Group #1

A logo for Orion Pictures set against a starry background, featuring the text 'An ORION PICTURES RELEASE'.
Title screen for a film, featuring the phrase 'A JOHN FLYNN Film' on a black background.
Dimly lit underground parking garage with concrete pillars and an illuminated EXIT sign pointing right.
View of a dimly lit parking garage exiting into bright light.
Title card for the film 'Best Seller' with a blurred background, showing the title prominently in red and black text.
A black van with loudspeakers on top is parked under a bridge, with an industrial building and a green shipping container in the background.
A shadowy figure driving a vehicle at dusk, facing an illuminated street with distant city buildings in the background.
A black van with a large image of a man and the text 'Now more than ever' on the side, driving on a foggy road.
A city street scene with pedestrians walking past traffic signals and buildings, featuring a sign for 'United Artists' in the background on a foggy day.
A dark van parked near a set of large stairs outside a building, with one person lying on the ground nearby.
Three figures wearing dark clothing and hooded jackets walk up a set of stone steps beside a railing at a monumental building. One figure carries a large white object.
Three individuals dressed in black clothing, walking along a stone pathway, one holding a rolled-up document.
Three figures in black clothing walking towards a fountain in an illuminated outdoor area, with a building entrance visible in the background.
A view of a reception desk with a person sitting on a chair, looking towards a large entrance where silhouettes of three people are entering.
A security guard sits at a desk in a hall, looking towards two individuals in the background who are holding a sign that says 'THIS.' An American flag is visible to the right.
A poster featuring a smiling Richard Nixon with the text 'THIS TIME.' prominently displayed.
Close-up of a creepy mask with exaggerated facial features, wearing a black beanie.
A close-up of a hand holding a pistol, wearing a black coat with visible buttons.
A police officer appears startled as he stands in an indoor setting, with smoke suggesting a recent gunshot. A hand holding a firearm is visible in the foreground.
Three figures wearing identical masks and black clothing walking in low light
A police officer stands at a gated entrance speaking with another person inside a dimly lit office space, with a desk and chairs visible.
A man in a dark outfit glances over his shoulder, with shadows cast across his face from a nearby grate.
A police officer standing near a file cabinet, visible through a metal grate, with a concerned expression.
A person wearing a ski mask and a mask resembling a character's face points a gun menacingly in a dimly lit room.
A man wearing a black outfit and a mask holds a gun, aiming it with a serious expression. The background features a sign with text warning not to jeopardize an arrest.
A shadowy figure in a hooded outfit points a handgun through a barred window, creating a tense atmosphere.
A person wearing a dark outfit and hat stands in a dimly lit prison corridor, holding a gun, with bars visible in the background.
A figure wearing a black beanie and dark clothing points a gun directly at the camera, revealing a mask with exaggerated facial features.
A man with tattoos leans against a barred wall, appearing contemplative in a dimly lit environment.
A figure wearing a black beanie and jacket, with a mask resembling a man's face, stands near an architectural column, framed by a historic building in the background.
A person leaning against a column on the steps of a large, classical building with archways and ornate ceilings.
A black van with loudspeakers on top jumps in front of a building's steps.
A man lying on the ground with a bloodied hand and a briefcase filled with cash open beside him.
A stylized black and white dotted portrait of a smiling man, featuring a hand gesture near his face.
Two men standing next to a van, one holding a puppet head. The van has the text 'Now more than' visible.
A person sitting at a table with a typewriter, appearing focused while writing. The setting includes some decor and a plate on the table.
A person typing on a typewriter in a dimly lit room, with a sheet of paper and various objects in the background.
A stack of book covers titled 'Inside Job: The Anatomy of a Robbery' by Dennis Meechan, featuring a stylized illustration of a man's face.
A waterfront view of Los Angeles in 1987, featuring industrial ships and cranes, with a small boat on the water.
Close-up view of a large industrial crane with a suspended load, set against a blue sky.
A worker wearing a hard hat and life vest is bending over the edge of a dock, handling equipment near boats and cranes in a busy port area.
Workers loading wooden crates onto a ship at a dock, with barrels in the background.
A police officer in a uniform holding paperwork stands on a dock, while two men walk away from him, passing by barrels and industrial equipment in the background.
Three men running along a dock covered with shipping crates and debris, with a green body of water visible in the background.
A person running away from a large wall in an industrial area, with barrels and a 'No Parking' sign visible nearby.
A man in a blue shirt and jeans walks near industrial barrels and a moving freight train, set against a backdrop of a gray wall.
A man in a suit and sunglasses stands confidently in front of a shipping yard, with cargo containers and a large ship in the background.
A man holding a handgun while sitting in a car, looking seriously at something outside the window.
A man wearing a beanie holds a handgun while seated inside a vehicle, displaying concern and intensity in his expression.
A man in a blue jacket stands holding a camera in front of a yellow industrial machine, while another man in a suit watches from a distance.

Frame Group #2

Aerial view of a man in blue clothing standing on a deserted street, with buildings and a visible open window alongside.
A close-up of a blood-stained shirt on a body lying on a surface, with a blurred background showing a window.
A man in a blue shirt stands behind a window, looking intently, while a figure in the foreground appears to be injured with blood on their clothing.
Sparks flying from metal being worked on in a workshop setting.
A person wearing a gray beret and teal sunglasses, looking down thoughtfully in a dimly lit space.
A welder using a torch to cut metal, with sparks flying from the cutting point.
A man in a blue jacket holding a firearm, standing in an industrial location with high ceilings and soft lighting.
A man standing on a catwalk in a dimly lit warehouse, pointing a gun.
A man in a suit aims a gun from an elevated position in an industrial setting.
A group of workers in a dimly lit industrial warehouse, one wearing goggles and another with a welding helmet, focused on their tasks while smoke and light filters through the space.
A person is seen falling from a high industrial beam inside a warehouse, with a sign reading '5 TON' visible above.
Close-up of a middle-aged man with short hair, wearing a blue jacket, looking up with a concerned expression in an industrial setting.
A group of people in a workshop setting, with one woman wearing a hard hat and looking concerned, while a man covers his mouth in shock. The environment appears industrial with tools and equipment visible.
A man lying on the ground with a gun in one hand and blood on his face, surrounded by scattered debris.
Three men discussing near a police car with flashing lights in an urban setting, with additional law enforcement in the background.
Out-of-focus lights in varying colors, predominantly red, blue, and white, against a dark background, creating a bokeh effect.
A nighttime cityscape featuring dark silhouettes of skyscrapers with a few illuminated windows and signage, juxtaposed against a twilight sky.
A man and a young woman are seated at a table outside, having breakfast. The table is set with plates of food and drinks, with a flower in a vase. The man looks concerned while the woman appears pensive.
A middle-aged man in a light blue shirt looks thoughtfully at a pair of glasses he is holding, sitting at a table with a glass of orange juice and a vase of flowers in the foreground.
A young girl with blonde hair, wearing a white collar and navy cardigan, sits at a table with a floral centerpiece, looking contemplative. Soft light filters through a nearby window.
A group of four people seated at a restaurant table with a view of the ocean. The scene includes two men in suits, a woman in a green dress, and another man in a lighter suit. They appear to be engaged in conversation, with drinks on the table and tropical plants in the foreground.
A close-up of a middle-aged man in a suit, looking serious, with a pier and water in the background.
A nighttime scene showing a dimly lit street with a car approaching through a gated area, revealing reflections on the wet pavement and industrial buildings in the background.
A man in a suit stands in a dimly lit outdoor setting at night, with a partially visible boat and buildings in the background.
A man in a dark blue jacket stands under dim lights at night, appearing solemn and pensive.
A shadowy figure stands in front of a white wall, with dim lighting creating a mysterious atmosphere.
A man sitting in a car at night, holding a flashlight and looking at a clipboard.
A newspaper clipping announcing the sudden death of Robert Patton, a banker and philanthropist. The headline reads 'Robert Patton, Banker and Philanthropist Dies Suddenly,' with details about his prominence and involvement in the Boston banking community.
A shooting range displaying multiple targets placed on stands, with a blurred figure in the foreground.
A group of individuals at a shooting range, each aiming handguns at targets, with protective ear coverings and safety gear.
A man at a shooting range wearing ear protection aims a handgun at a target, with other shooters visible in the background.
A group of people at a shooting range, focusing on their targets while holding firearms. Some individuals are adjusting their equipment, and all are wearing hearing protection.
Close-up view of a shooting range target with bullet holes marked in concentric circles, centered around an 'X' mark.
Silhouette of a firearm in the foreground with shooting targets lined up in the background, displaying numbers 31 to 36.
A man wearing ear protection aims a handgun at a shooting range, while another man in a suit observes him from behind.
A man in a leather jacket sitting at a bar, engaged in conversation with another man whose back is facing the camera, in a dimly lit bar setting.
A close-up of a man with light hair, sitting thoughtfully and holding a can of Lite beer, in a dimly lit setting.
A close-up of a man with a serious expression, wearing a shirt and tie, engaged in conversation in a dimly lit bar setting.
A close-up of a man sitting at a table in a dimly lit bar, looking intently at another person off-camera. He has a serious expression and short, light-colored hair.
A close-up profile of a man with dark hair and a suit, thoughtfully resting his chin on his hand, with colorful neon lights in the background.
Close-up profile of a man with light gray hair and a serious expression, set against a softly lit background with red and pastel colors.
Two men are conversing in the foreground near a building at night, while another pair of individuals walks in the background. The building features large windows with warm lights glowing from inside.
A man in a leather jacket and tie stands in a nighttime urban setting, looking thoughtfully to his right.
Two men in suits standing outside, one wearing sunglasses, looking up with serious expressions, against a backdrop of trees and a building structure.
A group of people gathered around a man speaking at an outdoor event, with a fountain in the background.
A man wearing sunglasses and a suit, with a serious expression, standing in front of a decorated building with arches.
A man with blonde hair, wearing a suit and tie, is standing outside near a house, looking slightly discontent or skeptical.
Two men in an office setting, one seated at a desk with a nameplate reading 'Lt. Det. D. Meechum' and the other standing with a coffee pot, surrounded by office supplies and furniture.
A man kneels beside a grave, gently touching the ground, with palm trees in the background.
A commercial airplane takes off into a foggy sky above an airport runway.
Silhouette of a city skyline at sunset featuring the Brooklyn Bridge and tall buildings, including the Twin Towers.
A busy city street filled with pedestrians, vehicles, and a large clock. American flags are displayed along the buildings, creating a vibrant urban atmosphere.
A man with short light hair and a serious expression stands beside a large bank vault door.
A close-up profile of a middle-aged man with gray hair, looking thoughtfully off to the side in a modern indoor setting.

Frame Group #3

A classic yellow taxi cab driving down a city street with vintage buildings in the background.
A middle-aged man with facial hair and wearing a flat cap, looking back from the driver's seat of a vehicle, appearing engaged in conversation.
Two men sitting inside a taxi, looking contemplative with city streets visible through the window.
Close-up of a contemplative man in a taxi, resting his chin on his hand, with a checkered taxi window frame.
View from inside a car showing two men running on a street, with buildings and parked cars in the background.
A yellow taxi cab explodes in a cloud of smoke and flames on a city street.
Two men in suits stand outside, looking surprised or concerned in front of a graffiti-covered wall.
A street scene featuring a burning yellow taxi and a red car with smoke and flames, set against a backdrop of urban buildings.
A dimly lit arcade with several vintage arcade machines, featuring players engaged with the games. A person in a striped sweater stands at one of the machines, while others are visible in the background.
A man in a suit, looking concerned, walks through a crowded arcade with glowing lights and arcade machines in the background.
Close-up of a man with short dark hair and a serious expression, set against a blurred city background.
A close-up of a middle-aged man with a concerned expression, wearing a suit and tie, with a blurred colorful background.
Two men looking intently towards the camera from behind a curtain, with a reddish light illuminating the scene.
A man in a suit stands near a curtain, looking pensive. The scene is illuminated with a reddish hue, creating a dramatic atmosphere.
A vintage color photograph booth with a wooden exterior and a curtain, featuring a sign that advertises 'Color Photographs' and pricing details.
A photo booth with a sign reading 'PHOTOS DELIVERED HERE IN 2½ MINUTES' above a slot containing several photo strips.
View of a darkened bridge roadway at dusk, with cars traveling underneath a lattice of beams and streetlights glowing in the darkness.
A man in a suit leans forward, looking intently at another man who is positioned out of focus in the foreground. The setting appears to be a bathroom, with a bathtub visible and towels hanging on the wall.
Close-up of a middle-aged man with short, light hair, wearing a brown blazer over a light shirt, looking thoughtfully with a serious expression, background features a softly lit hanging lamp.
Two men in formal attire stand near a road at night, discussing while a gray car is parked nearby. In the background, a lit-up building is visible.
A man wearing a suit is speaking on the phone, with a concerned expression, partially obscured by a glass partition.
A woman with short blonde hair sits at a bar, smiling and engaging with a man in a suit, both appearing to have a conversation.
A man in a suit smiles at a woman with short hair and a stylish blue blouse, sitting at a bar with drinks in front of them. The atmosphere is dimly lit with a slight haze.
A middle-aged man in a grey suit stands confidently, looking towards the camera in a modern setting with soft lighting.
A close-up portrait of a woman with short, blonde hair and a slight smile, set against a softly illuminated background.
A close-up of a man with short light-colored hair and a serious expression, wearing a gray blazer, sitting in a dimly lit setting with blue and green background lighting.
Close-up of a man with short hair and a thoughtful expression, sitting in a dimly lit environment.
A close-up of a hand holding a pen, with another hand resting open nearby. The background features blurred flowers, creating an intimate and contemplative atmosphere.
A man in a gray suit gestures while seated at a table, engaged in conversation. The background is softly lit, creating a dramatic atmosphere.
A close-up of two men in a tense conversation, with one man leaning in and looking closely at the other, who appears stressed and holds his head with his hand.
A red car parked in front of a large white house surrounded by greenery and colorful flowers, with people conversing on the porch.
A man in a plaid shirt smiles slightly while holding a fork with food, as a woman in the background sips from a cup.
A close-up of a man with light hair and a serious expression, sitting at a table, while an older man in the background holds a glass and smiles.
A man in a plaid shirt is thoughtfully holding a chain with a pendant, looking pensive.
Two men sitting on a bed, looking at photographs, with a lamp and a chair in the background.
A man wearing a plaid shirt and beige pants stands at a doorway, holding the doorknob. The room features patterned wallpaper, a vintage lamp, a phone, and framed artwork.
A man in a light-colored suit sits in a red car, looking intently out the window, with a serious expression on his face.
View from inside a car showing two women walking on a path near a white fence and blooming bushes in a residential area.
Passengers resting on an airplane with seat backs reclined and blue pillows.
Close-up of a man in a suit looking out through window blinds, with shadows cast on his face.
Two men in suits stand in an office with vertical blinds. One man is pulling the blinds apart to look outside, while the other stands with arms crossed, watching.
Two men facing each other closely, with intense expressions. Light and shadow create lines across their faces.
A man in a brown blazer and tie stands inside a police station, with a badge visible on his chest. He appears to be engaged in conversation while looking at the camera.
A tense confrontation between two men in an office setting, one in a suit and the other in a tweed jacket, with a police badge visible on the latter.
Close-up of a typewriter showing keys and partially visible typed text.
A man sits at a table typing on a typewriter in a dimly lit room, illuminated by a stained glass lamp. In the background, there are framed artworks and a chessboard on the wall.
A modern living room with large windows overlooking the ocean, featuring two soft sofas, a coffee table with decorative objects, and a woman reading a document while a man stands nearby. The room is adorned with art, plants, and colorful outdoor furniture visible through the glass.
A woman with blonde hair sits in a light-filled room, looking intently with an expression of concern. She is wearing a purple robe, surrounded by indoor plants and a woven basket.
Woman in a black bra looking over her shoulder in a softly lit bedroom.
Close-up of a man with a serious expression, illuminated from one side, creating dramatic shadows on his face.
Close-up of a man and woman sharing an intimate moment, with dramatic lighting highlighting their facial expressions.

Frame Group #4 (*****SPOILERS*****)

A group of young women working in a laundry facility, folding and sorting colorful fabric. They wear dark uniforms and appear focused on their tasks.
A woman in a blue shirt is looking down, focused on her work, while a man in a gray suit stands behind her, observing with a serious expression in a well-lit industrial setting.
Three people engaged in conversation in a dimly lit room with green windows, two men in suits and one woman in a dark shirt.
Close-up of a serious older man with gray hair, wearing a suit and looking intently off-camera.
A man in a suit holding a handgun, looking tense and focused, with a woman partially visible in the background.
Inside a laundry facility, workers are seen amongst hanging garments. Steam fills the air, creating a misty atmosphere. The setting features green tables and equipment along the sides.
A man in a suit aiming a handgun with a focused expression, set against a blurred background with smoke.
A busy industrial setting with workers moving around a large green machine, steam rising from its top. Several bins are present, and large bags are stacked nearby.
Two men taking cover behind a green and white column in an industrial setting, one holding a firearm and the other looking tense, with machinery visible in the background.
A woman with curly hair, wearing a dark blue outfit, is sitting and raising her hand in a gesture of greeting or acknowledgment, with a concerned expression on her face.
A close-up of a person's hand holding a silver folding knife with a black handle, set against a blurred background.
A scene inside a laundromat with hanging garments, featuring two men in suits engaged in conversation. One man stands with his back to the camera while the other faces him, amidst a backdrop of steam and colorful clothing.
A close-up of a man with short, light-colored hair and a concerned expression, looking over his shoulder.
A close-up of a hand writing on a yellow notepad with a pen, accompanied by a glass of whiskey in the background.
A man in a suit sitting at a bar, writing on a notepad with a drink beside him, while others socialize in the background and a television displays a scene.
A nighttime airport runway illuminated by lights, with an airplane approaching for landing.
A businessman in a gray suit talking on a payphone at an airport, with people walking by in the background.
A man in a suit sitting in a large armchair, holding a piece of paper, with a lamp illuminating the scene in a dimly lit room.
A tense scene where a man sitting in a chair looks fearfully at another man pointing a gun at him. A lamp illuminates the setting, emphasizing the dramatic confrontation.
A serene beach scene at dusk, featuring a row of seaside buildings on the left, a flock of seagulls on the sand, and a calm ocean with gentle waves under a cloudy sky.
A lively outdoor party scene with children and adults interacting near a swimming pool, decorated with balloons and flowers. In the foreground, two adults, a man in a suit and a woman, are smiling and engaging with a group of children seated around a table.
A man in a gray suit stands on a white wooden structure overlooking a beach, while another man in the foreground leans on a railing, observing the scene.
A large house entrance with a man standing outside, colorful balloons are displayed around, and a van with a sign saying 'Thank You' is parked nearby.
A man in a tweed jacket holds a handgun while standing on a balcony overlooking the ocean and waves.
A man aiming a handgun at the camera, dressed in a patterned suit, with fish decor in the background.
Close-up of a hand holding a handgun with a silencer against a blurred background.
Close-up of a man with light hair, wearing a suit, looking upwards with a contemplative expression.
A man in a suit sitting on a bed, reading a newspaper with a cigarette in his mouth. The room features wooden furniture and a nightstand with a glass ashtray.
Close-up of a man holding a gun near a doorframe, with a serious expression on his face.
A young woman with long, wavy blonde hair stands in a bright room, looking intently at something off-camera. She is wearing a denim jacket over a white and blue patterned sweater.
A man wearing sunglasses and a patterned coat is holding a gun in one hand and a phone in the other, standing near a window.
Two large black loudspeakers mounted on a wall, facing outward, with a clear blue sky in the background.
A man in sunglasses stands on a balcony, gazing downwards, with a white building and cloudy sky in the background.
A man in a gray suit stands on a patio with his back turned, holding a gun and appearing to react to a situation. Palm trees and a house can be seen in the background.
A backyard party scene with colorful balloons, a table with snacks and drinks, and a group of people in formal attire, one person appears to be dancing or celebrating while others are relaxed or lying on the grass.
A man holding a gun peering through a partially open wooden door, with a darkened background.
A close-up of a distressed young woman with tears in her eyes, looking upwards with a fearful expression as a hand aims a silver revolver at her head.
A man in a checkered blazer aiming a handgun in an indoor setting with stained glass windows in the background.
A tense scene depicting a man with a gun standing at the top of a staircase, while a woman and another man are crouched at the bottom, showing fear and apprehension.
A display of books in a store featuring multiple copies of a title called 'Retribution' by Dennis Meechum, with a large promotional poster stating '28 WEEKS ON THE BESTSELLER LIST' in the background.

Scene Breakdowns

The aforementioned opening heist scene.

Runtime – 5:27
Shots – 106
Avg. Shot Length – 3.1 seconds

Aerial view of a road tilting up towards a van.
Title screen showing 'Los Angeles 1972' with a scene of a van outside a building.
A police officer approaches a poster in a dimly lit hallway.
Tracking shot of two robbers in dark clothing
A close-up of a drawer containing a bloody watch, a gun, and money.
A person being restrained behind bars, looking surprised.
Cops enter the scene carrying a police evidence locker.
A cop turns away, surprised or alert.
An officer grapples with a robber in a police station.
Dennehy picks up a knife in a tense moment.
A figure is shown trying to escape towards a van.

In Best Seller’s second scene, Dennehy and a fellow cop chase down a pair of diamond smugglers on the docks in L.A.

Runtime – 3:26
Shots – 88
Avg. Shot Length – 2.3 seconds

Two suspects disembark from a cargo ship.
A chase scene on a dock with a smuggler running towards the camera.
A police officer leaps onto a barge while shouting 'Freeze!' during a chase.
Smuggler running across the tracks in a busy port area.
A man in a blue jacket standing near parked cars by a train.
A sequence of action shots featuring characters running in various directions in a gritty urban setting.
A man in a blue jacket stands in an industrial setting with machinery around him.
Sparks flying from metal work in a workshop.
A character standing on a high beam in an industrial setting.

Posters

Movie poster for 'Best Seller' featuring James Woods and Brian Dennehy, with the tagline 'If words could kill...'.
Movie poster for 'Best Seller' featuring the tagline about a hired assassin and a cop turned author, with images of the characters and a book titled 'Retribution' by Dennis Meechum.
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