Year1973
Decade1970s
DirectorJohn Flynn (imdb)
CinematographerBruce Surtees (imdb)
Genre Action; Crime
Keywords1970s action; 1970s Crime; Donald Westlake Adaptations; Robert Duvall Movies
StudioMGM
Shooting Location – California
Aspect Ratio1.85
Format – 35mm with spherical lenses

The Movie
After his release from prison, armed robber Robert Duvall embarks on a heist spree targeting the crime syndicate that killed his brother. Though Duvall’s character goes by Earl Macklin in The Outfit, the film is based on the third novel in Donald Westlake’s 24-book Parker series, a character also played on screen by Lee Marvin (Point Blank), Jim Brown (The Split), Mel Gibson (Payback) and Jason Statham (Parker). In one of his last roles (he passed before The Outfit was released), Robert Ryan plays the mob boss at the center of Duvall’s revenge plot. Joe Don Baker co-stars as Duvall’s partner and Karen Black as his girl. The rest of the cast is sprinkled with veterans of classic noirs, including Timothy Carey (The Killing), Marie Windsor (The Narrow Margin and Force of Evil), Jane Greer (Out of the Past) and Elisha Cook Jr. (The Big Sleep and The Maltese Falcon).

The plot is fairly generic, but I love the taciturn, economical style director John Flynn employs here, typified by an opening assassination scene and a prison-set credits sequence almost entirely bereft of dialogue. Though the film’s reputation has grown over the years, the initial reviews were mixed. Here’s New York Times critic Vincent Canby:

The Outfit, one of the last films to be produced during James Aubrey’s administration at M-G-M, stands as an explanation of what happened to drive that once-great company from the ranks of the major studios. The Outfit is not really a bad movie. It doesn’t fail in an attempt to do something beyond its means. It doesn’t attempt to do anything except pass the time, which simply isn’t good enough when most of us have access to television. It’s a B movie, made approximately 30 years too late for the market…”

Quentin Tarantino is among those who feel differently about Flynn’s work. He named his 1990s distribution label after Flynn’s Rolling Thunder and dedicated chapters in his book Cinema Speculation to both Thunder and The Outfit. Tarantino even considered adapting the latter in the late 1990s, with Robert De Niro in the Macklin/Parker role, Harvey Keitel stepping in for Joe Don Baker and Pam Grier in place of Karen Black.

There isn’t all that much info out there on Flynn, who passed away in 2007, and what is available mainly comes from Harvey F. Chartrand’s excellent interview with the filmmaker in the Fall 2005 issue of Shock Cinema. Here’s Flynn talking about The Outfit from that piece:

Shock Cinema: Roger Ebert describes The Outfit as a “classy action picture, very well directed and acted.” How are you able to create such convincing underworld milieus in your crime films?

John Flynn: I’ve always been fascinated by the criminal demimonde. I’m a big fan of the Parker novels by Donald E. Westlake, writing as Richard Stark. We had a great B-movie cast in The Outfit (Elisha Cook, Jr., Richard Jaeckel, Marie Windsor, Timothy Carey and Jane Greer), but contrary to some reports, it never started out as a film noir period piece set in the 1940s. Robert Duvall really nailed the Parker character (renamed Earl Macklin for The Outfit). Parker is an armed robbery technician who doesn’t crack jokes. Duvall was more like the character in the book than Mel Gibson was in Payback. I’m very proud of The Outfit. Donald Westlake told me he loved it, even though we had to change the ending. (MGM studio boss) James Aubrey wanted us to make it more upbeat. But Westlake told me The Outfit was one of his favorites of all the films based on his novels.



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Frame Group #4 (******Spoilers******)


Scene Breakdowns

Opening Scene

A pair of assassins take out Duvall’s brother in a nearly wordless set piece to begin the film.

Length – 4:57
Shots – 44
Avg. Shot Length – 6.8 seconds


Credits

The opening credits introduce Duvall as he’s released from prison, with Karen Black waiting for him. There’s only one line of dialogue in the sequence, which arrives in the final shot.

Length – 2:45
Shots – 8
Avg. Shot Length – 20.1 seconds


Roadside Hit
(******This breakdown has SPOILERS******)

A pair of highway patrol cops try to take out Duvall, Black and Baker on an isolated stretch of road.

Length – 2:52
Shots – 53
Avg. Shot Length – 3.2 seconds


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