Year1950
Decade1950s
DirectorJohn Farrow
CinematographerNicholas Musuraca
GenreNoir
Keywords1950s Noir; Robert Mitchum Movies
StudioRKO
Aspect Ratio1.37
Format – 35mm with spherical lenses

The Movie
A concussed California doctor (Robert Mitchum) groggily makes a run for Mexico with femme fatale Faith Domergue after they accidentally kill her disapproving father (Claude Rains). As they get closer to the border, Mitchum begins to realize Domergue may not be what she seems. Directed by John Farrow (The Big Clock, Hondo, Mitchum’s His Kind of Woman) during Howard Hughes’ tenure at RKO, Where Danger Lives gets off to a slow start but once the story hits the Mexican border it becomes an inky-black (both photographically and morally) spiritual cousin to Jim Thompson’s El Ray sequence from the end of The Getaway (1958) – highlighted by a seven-minute hotel room oner.

The film marks another noir classic from cinematographer Nicholas Musuraca, who lensed what is considered the first noir film in 1940’s Stranger on the Third Floor and one of the best noirs in 1947’s Out of the Past in addition to his shadowy work with Val Lewton’s B-horror movie unit at RKO.

Where Danger Lives also holds the distinction of being Irwin Allen’s first producer credit. Allen later created 1960s sci-fi television series like Voyage to the Bottom of the Sea, Lost in Space and Land of the Giants before becoming synonymous with the disaster epics of the 1970s with The Poseidon Adventure and The Towering Inferno.


Frame Group #1


Frame Group #2


Frame Group #3 (*****Spoilers*****)


Scene Breakdowns

Once the on-the-lamb couple reaches Nogales, the story increasingly unfolds in extended long takes. Here’s a 67-second oner as Domergue pawns her diamond bracelet.

An empty pawn shop interior with dim lighting.

A 50-second long take inside a vaudeville theater as the couple heads back to the theater manager’s office to discuss a ride across the border.

A performer entertains on stage at a hotel while an audience watches.

The film’s pièce de résistance – a seven-minute oner inside a hotel room where Mitchum and Domergue wait for their ride across the border.


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