“A messy but fun way to make something very stupid but very beautiful.” Check out my interview with Everything Everywhere All at Once cinematographer Larkin Seiple over at Filmmaker Magazine. […]
“A messy but fun way to make something very stupid but very beautiful.”
Check out my interview with Everything Everywhere All at Once cinematographer Larkin Seiple over at Filmmaker Magazine. Shot on Alexa Minis, with an assortment of spherical and anamorphic lenses, including Todd AO, Atlas and Scorpio glass.
From the story, here’s Seiple breaking down a few shots from the film.
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