A car interior set-up from David Fincher’s Netflix film Mank, shot on stage with LED screens to provide backgrounds and interactive lighting. Here’s Mank cinematographer Erik Messerschmidt on his approach to […]
A car interior set-up from David Fincher’s Netflix film Mank, shot on stage with LED screens to provide backgrounds and interactive lighting. Here’s Mank cinematographer Erik Messerschmidt on his approach to stage-bound driving scenes, from an interview I did with him for Filmmaker Magazine.
Another bit from the same interview. Messerschmidt on lighting Amanda Seyfried in the style of a 1940s movie star.
deep fried movies 