deep fried movies

Frames are in reverse chronological order. When viewing photo galleries, click on the “i” icon in the lower right corner for more info on each shot.

Frame Group #1

Frame Group #2

Groups of Frames

BlacKkKlansman (2018)
DP: Chayse Irvin
Director: Spike Lee
Format: 35mm
Cameras: Panaflex Millennium XL2, Arricam Lite, Aaton Penelope
Lenses: Spherical; Zeiss Super Speeds MKII, Zeiss Master Primes, Panavision Ultra and Super Speeds, Panavision PVintage
Film Stocks: Kodak Vision3 250D 5207 (used for day interiors/exteriors), Kodak Vision3 500T 5219 (for night interiors/exteriors)

Each group of frames features set-ups from a different phone scene.

Ozark Season 3 (2020)
Cinematographers: Armando Salas, Ben Kutchins, and Manuel Billeter
Directors: Jason Bateman; Cherien Dabis; Amanda Marsalis; Ben Semanoff; Alik Sakharov
Aspect Ratio: 2.2:1
Camera: Sony Venice
Lenses: Leica R; Leica Summicron-C; Leica Noctilux-M 50mm
Format: Digital; Large format sensor

Better Call Saul Season 1 (2015)
DP: Arthur Albert
Camera: Red Epic Dragon
Lenses: Zeiss Standard Speeds and Arri Master Primes

Silent Madness (1984)
DP: Gerald Feil
Director: Simon Nuchtern
Format: 35mm film; ArriVision single strip 3D

Cross cutting between matching push-ins.